Like with other iterations of RGB tech, the new BRAVIA models have their white LED backlights replaced with three individual blue, green and red mini LEDs, allowing the TVs to reproduce color directly at the light source and eliminating the need to use a color filter. The difference is made in the backlight driver, which can individually control each red, blue and green light source in the TVs.
The obvious benefit with more precise backlight control is better color reproduction, and, indeed, Sony says these new BRAVIA TVs have the highest color volume yet. However, digging down deeper, the story goes well beyond color reproduction, with Sony explaining that the new driver also helps improve brightness and drastically reduce blooming.
In fact, according to Sony representatives, development of the driver was a collaboration between BRAVIA teams and Sony’s Pro Monitor teams, giving the new True RGB BRAVIA’s extra connective tissue to Sony’s film legacy in terms of picture fidelity.
That may be why Sony is choosing to kick off the launch with its “Cinema is Coming Home” message. From all appearances, while color is the bright, shiny takeaway for marketing, having seen the new BRAVIAs perform in person, it’s clear that Sony is gunning for reference-level cinema production when it comes to its new BRAVIA line. That might also explain why a 115-inch BRAVIA 9 II runs around $30,999.99 MSRP.
Having seen them side-by-side in person, it’s definitely not a 1:1 comparison, but it’s astounding how close the mini LEDs on the new BRAVIAs are able to approach the picture fidelity of Sony’s professional monitor displays.